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From the NY Times Review by Marilyn Stasio
Thomas Perry, that smiling sadist who gets his kicks from outfoxing readers, is at his wicked best in STRIP (Otto Penzler/Houghton Mifflin Harcourt, $26) . Like any self-respecting gangland thriller, this witty specimen has a cast of touchy mobsters killing one another over money and turf and petty grievances. But because a devious mind is manipulating the genre conventions — allowing unpredictable characters rather than precision-tooled action to drive his story — the rules of the game are constantly changing.
The initial setup couldn't be sweeter. Manco Kapak, who owns some strip clubs in Los Angeles and moves a little money for a major drug distributor, is personally affronted when a masked gunman holds him up while he is making a bank deposit, robbing him of a night's take. The money is nothing, but the insult cuts deep, and in short order the hunt is on for an out-of-towner named Joe Carver who had nothing to do with the crime but can't persuade the irascible Kapak to call off the dogs.
Once we're comfortable with these ground rules (innocent man, up against a ruthless gangster, using his wits to stay alive) Perry pulls a switch. Although blameless, Carver is anything but harmless, and after failing to negotiate a truce with his enemy, he sets out to destroy him. Kapak, meanwhile, becomes more sympathetic by the minute, mainly by treating everyone on his staff, from trigger-happy bodyguards to weary strippers, with uncommon decency. By the time Perry polishes up his portrait, this aging and exhausted skin merchant resembles an honorable but fatally flawed king who stands to lose his entire realm because of a tragic error in judgment.
And the wonderful characters keep on coming, activated by greed and open to opportunity: the faithful functionary who finally initiates a plan of his own; the superstitious killers who suspect that the boss is under a curse; the charmed robber who loses his luck when he hooks up with a wild babe thirsting for adventure; the bigamous police detective desperate for a way to finance the college educations of his five children; the nice waitress who could be Kapak's last chance for love. And let's not forget that man of mystery, Joe Carver. They may all start off as familiar types, but once Perry lets them loose, they refuse to go back in the box. |
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New 2010 Appearances!
THIS WEEK!
•Sunday, April 25, 11:00 a.m.-12:00 noon– Book signing at the L.A. Times Festival of Books on the UCLA campus, booth 411, The Mystery Bookstore.
•Tuesday, May 11,7:00 pm. R.J. Julia Booksellers, 7868 Boston Post Road, Madison, Connecticut 06443 (203) 245-3959.
•Wednesday, May 12, 7:00 p.m. The Mysterious Bookshop, 58 Warren Street, New York, NY 10007 (212) 587-1011.
For More Future Appearances in 2010! |
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Starred Review of STRIP from Publisher's Weekly
"Half a dozen characters vie for primacy in this rambunctiously entertaining L.A. crime novel from Edgar-winner Perry (Runner). Aging strip-club owner Manco Kapak orders his boys to find the masked man who stole his cash receipts and take care of him. The boys settle on the wrong guy, L.A. newcomer Joe Carver, who decides to fight back. Jefferson Davis Falkins, the real thief, decides to continue to rob Kapak. LAPD Lt. Nick Slosser is mainly interested in keeping the peace—and keeping his two marriages a secret as well as figuring out how to pay for five kids at or nearing college age. Other meaty roles include Carrie Carr, who hooks up with Falkins and becomes a Bonnie Parker–like adrenaline junkie urging him to ever riskier deeds, and Spence, Kapak's trusted bodyguard and the only one smart enough to deal with Carver. Perry's exquisite timing and finesse provide near perfect endings to the multiple story lines and make this escapist reading at its best."
Starred Review of STRIP from Library Journal
"Former bar ownerJoe Carver has come to L.A.with a new identity and lots of cash only to find that thugs hired by low-levelmobster Manco Kapak are out to get him. Carver has been mistakenly fingered asthe person behind the armed robbery of Kapak’s night deposit, a hefty sumused in part to launder drug profits, only the first of many hits the gangsterwill absorb from a masked gunman. Failing to clear his name, Carvercounterattacks. Along the way, readers meet bigamist detective Nick Slosser,who is juggling the demands of two families and trying to capture theincreasingly brazen robber while investigating Kapak for a drug lord’smurder. As these and other colorful characters spiral around each other withgripping intensity and one startling twist after the other, the question is:Who’s going down, and who’s getting away?
"Verdict Featuring rich, complex characters, Perry’s 18th novel (after Runner) is pure, unadulterated fun, sure to please not only the many fans of thismaster craftsman but also lovers of imaginative, character-driven thrillers àla Elmore Leonard."
Read a synopsis of Strip. Pre-order this book
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A note to readers:
There's an opportunity I'd like to bring to the attention of readers who have iPhones. It's a new application that might contribute to the safety of you or your loved ones.
The application is called "Silent Bodyguard." If the phone's owner presses an icon, a message will be sent by email and text messaging to inform three recipients he has designated in advance that he is in an emergency situation. The message is accompanied by a map giving the phone's present location. A new message will be automatically sent updating his location each minute until the device is de-activated.
One of the reasons I'm enthusiastically endorsing this application is that I think it might someday save a person's life. Another is that the app was developed by my wife, Jo Perry, and our friend, Justin Leader. They did it because the safety of young women was on my wife's mind. During the summer, a classmate of our younger daughter was kidnapped here in Los Angeles, driven to several ATM machines in an attempt to withdraw money, and then murdered. Then this fall, a female student at Yale, where our older daughter is a sophomore, was missing for a couple of days, and then was found murdered in a room near her research lab. Silent Bodyguard is an effort to give potential victims a way of getting help before it's too late.

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Strip
I've often used this space to announce the publication of a new book, and I'm doing it again now. My next book, called Strip, will be published by Houghton Mifflin Harcourt on May 13, 2010. For some time I've wanted to write again in the lighter tone of some of my early books, such as Metzger's Dog or Island. But because what we write has a way of taking its own course, Strip became something special. It's both funnier and darker than most of my other books. I'm hoping you'll like it.
Read a synopsis of Strip. Pre-order this book
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Runner
Runner trade paperback will be published on January 7, 2010 by Mariner, an imprint of Houghton Mifflin Harcourt.
"A first-class thriller and the welcome return of an outstanding series." — Booklist starred review
"Readers who have been clamoring for the return of Thomas Perry's most popular heroine can stop waiting. After a nine year absence, Jane Whitefield is back." — Associated Press
Order this book
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A note to readers:
As most people who visit this site know, between 1995 and 1999 I wrote a series of five novels about a character named Jane Whitefield. The books were consecutive and occurred in something close to real time, with each of her adventures occurring about a year apart. After each incident, Jane aged a year and reappeared in the next volume knowing the things that she had learned in the previous volume. The series required that I have the next manuscript ready on each succeeding June 15.
The series was satisfying to write, and accomplished most of its goals. Writing a series gives the writer a chance to think about some interesting issues: how to make a character grow wiser and more mature over time; how certain weaknesses and internal concerns reassert themselves unexpectedly in new situations; how the character would behave, not only in sudden crises, but also in normal long-term challenges like maintaining a marriage. Writing multiple volumes over a period of years gives us space and time to think longer and harder about every aspect of a character's life.
But as I've said many times, here and elsewhere, a writer's most important task is learning to be a better writer. Writing a series about one character is a great way to learn, but I came to suspect that writing a second five volumes doesn't teach us a lot more than writing the first five does. Writing a series is also comfortable, and being comfortable for a long period probably isn't the best way to learn to improve. So after the fifth novel, I set the series aside. I told anyone who was interested that some day I intended to write about Jane again. But I wouldn't do it unless I learned something about her that I hadn't already written, and that was worth a reader's time and attention.
Now I've written the sixth book in the series. It's called Runner. About nine years seem to have passed since the last book about Jane. I guess that's part of the reason why people bother to write—we become so absorbed in storytelling that we lose track of time. Fortunately, a number of readers were more impatient than I was, and kept reminding me that I had promised to write another book about Jane as soon as I had something new to say. Some generously suggested plots, in case I couldn't think of one. At least two inquired politely whether I had retired or died. So I wrote Runner.
The pre-publication reviews have been thoughtful and encouraging:
. . . Perry's premise demands remarkable attention to detail, and much of the appeal in this series is watching those details fall into place, especially as the ever-quickening pace pumps into overdrive. Like Ridley Pearson, though, Perry never sacrifices nuances of character to the demands of his breakneck pace. A first-class thriller and the welcome return of an outstanding series."
—Bill Ott, Booklist
. . . Last seen in Blood Money (1999) fan favorite Jane Whitefield returns in another deeply satisfying adventure in Perry's sixth book in the series and his 17th novel (after this years's Fidelity). . .Never melodramatic and always masterful at creating conflicted characters (one feels sorry even for Christine's boss) Perry offers a highly enjoyable tale in which the roles of hunter and hunted are reversed with devastating affect.
—Ron Terpening, Library Journal
. . . Blending the frenetic pacing of a top-notch thriller with Native American mysticism, this entry will more than satisfy longtime fans.
—Publishers' Weekly
I'm hopeful that non-critics will also enjoy the book. I've missed Jane, and I've found that going back to write about her after a few years of writing stand-alone books about other characters was a pleasure. I believe it was Ezra Pound who said that great literature is "always news." I think that any book we expect readers to enjoy had better be news too. Runner catches us up with what Jane's been up to and how she's changed, and gives us an inkling of how she's going to be in the future.
For those who haven't read the earlier Jane Whitefield books, they are: Vanishing Act, Dance for the Dead Shadow Woman, The Face-Changers, and Blood Money. All are still available in paperback from Ballantine Books.
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Dead Aim
My thirteenth novel, Dead Aim, was published in December 2002. The book has some memorable new characters and an unusual plot that contains some surprises. My last two books, Death Benefits and Pursuit, were very much concerned with conflicts between men. At the risk of revealing too much, I will tell you that Dead Aim includes a wide and varied group of women, some of them dangerous.
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The Butchers Boy, with a new introduction by Michael Connelly
The Butcher's Boy won an Edgar in 1983 for Best First Novel. It has been reissued in a Random House trade paperback edition, with an introduction by Michael Connelly.
For readers who dont know the book, The Butchers Boy is about what happens when an extremely adept professional killer does a job, and then is shocked to learn that he has become a liability to his employers. While he works his way across the country attempting to survive and avenge the betrayal, a number of people in police agencies notice that something big is going on, and trywith incomplete and late informationto construct coherent interpretations of the violence. Only one, a Justice Department employee named Elizabeth Waring, comes close.
I have to admit that I have some fears about the impending re-release of The Butchers Boy. I had just learned to enjoy the fact that there were two kinds of people interested in the book. One group had read it twenty years ago, lost track of their copies, and convinced themselves that it was much better than any novel could be; the second group had never been able to find a copy, and had to believe whatever I said about it.
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Metzgers Dog, with a new introduction by Carl Hiaasen
Metzger's Dog was a New York Times notable book in 1984. It has been reissued in a Random House trade paper edition, with an introduction by Carl Hiaasen.
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Pursuit
Pursuit, the first recipient of the Gumshoe Award from MysteryInk for Best Novel of 2002, is now a Ballantine paperback.
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The
Jane Whitefield Series
All of the five books of the series, Vanishing Act, Dance for the Dead, Shadow Woman, The Face-Changers, and Blood Money, are available as Ballantine paperbacks. I am often asked whether there will be more books about Jane Whitefield. The answer is that I do intend to write about Jane again, but at the moment the next installment in the series is not what Im working on. I like to think of Jane as alive and well, living
off-camera in Deganawida, New York, waiting for me to bring her next client to her door. Im enjoying writing stories about other characters at the moment, but I will pick up her story at some point when I feel that I have something new say about her.
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